Lucas (
a_gentle_boy) wrote2010-10-18 12:40 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Twentieth PSI
[action, multi-topic for everyone]
Lucas is a wreck. By now, he has forsaken the hat and the mask, and his burn marks are very clearly visible to anyone who didn't guess before. He doesn't particularly care.
1. He stumbles across town like a zombie, smashing into things wherever he goes, barely registering the pain. He stops suddenly in random spots, staring at the floor or at a tree or at a shop window or at a drone. This is where we had ice cream. This is where I bought him the present. This is the bench where he listened to my story . . . This is where . . . This is . . .
2. In school, he keeps his head down and buried and sits in a far corner. His shoulders occasionally heave.
3. At home, he shuts himself in his room. Family members or those who visit him will find drawing after drawing after drawing of a certain person strewn all across the floor, each one with slash marks through the face. Is he already forgetting? Is he losing the smile, the laugh, the voice?
[action, forward-dated, open to Taiwan, Saki, and Mindy]
A full day after his meeting with Taiwan, Lucas enters the house uninvited. He doesn't care about not being selfish anymore. He has remembered -- There is something very precious he needs to get back, the symbol and the memory that he absolutely needs.
He finds it in the basement. True to his word, the Netherlands has framed the very first drawing that Lucas has ever made, of Miffy and Hello Kitty enjoying a picnic in a park. Propped up beside it is the best piece of art that Lucas has ever produced: a drawing of the two of them, laughing and happy, so closely resembling each other in looks that they could've passed as a father and a son.
He is about to leave with his treasures when he catches a glimpse of something else out of the corner of his eye. A shoebox. For 'Lucas'. His hands shake as he pops the lid; he stares at what's inside.
"Mr. Netherlands . . . . . . . I . . . I . . . OK. I'll keep going. I'll keep fighting . . . "
((I have been informed that Lucas has been left notes of all the conversations the Netherlands has had with Jane Smith, the Westport notes, and Richard Grey's wallet. Also, Nini, if you don't mind, I think I will forward-date that conversation they just had to after this.))
Lucas is a wreck. By now, he has forsaken the hat and the mask, and his burn marks are very clearly visible to anyone who didn't guess before. He doesn't particularly care.
1. He stumbles across town like a zombie, smashing into things wherever he goes, barely registering the pain. He stops suddenly in random spots, staring at the floor or at a tree or at a shop window or at a drone. This is where we had ice cream. This is where I bought him the present. This is the bench where he listened to my story . . . This is where . . . This is . . .
2. In school, he keeps his head down and buried and sits in a far corner. His shoulders occasionally heave.
3. At home, he shuts himself in his room. Family members or those who visit him will find drawing after drawing after drawing of a certain person strewn all across the floor, each one with slash marks through the face. Is he already forgetting? Is he losing the smile, the laugh, the voice?
[action, forward-dated, open to Taiwan, Saki, and Mindy]
A full day after his meeting with Taiwan, Lucas enters the house uninvited. He doesn't care about not being selfish anymore. He has remembered -- There is something very precious he needs to get back, the symbol and the memory that he absolutely needs.
He finds it in the basement. True to his word, the Netherlands has framed the very first drawing that Lucas has ever made, of Miffy and Hello Kitty enjoying a picnic in a park. Propped up beside it is the best piece of art that Lucas has ever produced: a drawing of the two of them, laughing and happy, so closely resembling each other in looks that they could've passed as a father and a son.
He is about to leave with his treasures when he catches a glimpse of something else out of the corner of his eye. A shoebox. For 'Lucas'. His hands shake as he pops the lid; he stares at what's inside.
"Mr. Netherlands . . . . . . . I . . . I . . . OK. I'll keep going. I'll keep fighting . . . "
((I have been informed that Lucas has been left notes of all the conversations the Netherlands has had with Jane Smith, the Westport notes, and Richard Grey's wallet. Also, Nini, if you don't mind, I think I will forward-date that conversation they just had to after this.))
1
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
2
She notices Lucas and has this odd feeling that she shouldn't be as much of a brat as always. ]
... Hey, you.
no subject
Hi, Wy.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
1
Lucas? What's wrong?
no subject
Mr. Vince . . . Oh. I'm just going to the park . . .
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1
But something seems strange; he isn't acting like the boy she met the other day.]
Em Lucas-! [She then watches him knock into a pole.] ...Oh! [She climbs off of the bike to rush towards him.] Are you alright?
[ooc; This post literally made me cry. You are such a talented writer, DL.]
no subject
I'm OK. I'm fine. Thanks.
[His voice is curiously mechanical.]
((Aaaugh I'm sorry. T-Thank you. I actually . . . wrote an entry last night, but it didn't work as an entry so I stuck it into Dear Mun instead. >_<))
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1
no subject
Sorry . . .
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
2
Lucas?
no subject
[At the sight of his friend, Lucas, once again, tries a smile. This fools absolutely no one through his tear-streaked face.]
1
Hey! Kiddo, you all right?
no subject
Oh. . . . Oh, I'm fine. Thanks.
[As in response to the others, Lucas's voice is curiously flat. His eyes are a little too empty.]
((I am going to bed now, sorry I can't keep tagging. =( Good night.))
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
[action]
Lucas....?
no subject
Mindy . . .
[He puts the things back into the shoebox -- There wasn't any point in Mindy seeing that stuff -- and turns around. If Taiwan could comfort him when she was devastated, he could do the same for this girl.]
(no subject)
(no subject)
2; placeholder
Uhhh...
Lucas?
Re: 2; placeholder
[Lucas glances up at the sound of his name. Through his unfocused eyes, he can only recognize Horohoro from his hair.]
Hi.
[He doesn't even try to smile this time.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
2
What is with you?
no subject
It's . . . nothing.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1
Whoa there, kiddo, watch where you're going! You feeling okay...?
no subject
I'm . . . fine. Sorry.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
2
So she'll gently set a hand on a heaving shoulder and lean in, but not too close.] Lucas?...
no subject
Sorry . . .
(no subject)
(no subject)
1
Oh dear, are you alright?!
no subject
Fine . . . It's nothing. It's nothing.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
1
Lucas...!
no subject
[Lucas's head swivels towards the one who called his name as he simply stops in place.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
1
You again. What, did you get tired of using a bat?
no subject
It takes some time for him to respond, although his mouth occasionally moves silently in the meantime.]
You . . . You're . . . that voice.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
1
Excuse me, are you alright?
no subject
I'm fine . . . Sorry . . .
(no subject)
(no subject)
no subject
"...Hello? Is someone there?"
no subject
[Taiwan will probably see the two pictures laid out flat on the floor by the stairs before she sees Lucas kneeling over the shoebox.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
ooc
no subject
(no subject)
(no subject)